Difference between revisions of "ATD 864-891"
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Carlo Bugatti (1856-1940), world-famous furniture designer from Milan. | Carlo Bugatti (1856-1940), world-famous furniture designer from Milan. | ||
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+ | '''''corno'''''<br> | ||
+ | The "horned" cap worn by Doges of Venice. | ||
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+ | '''''lo stato'''''<br> | ||
+ | ??? | ||
==Page 869== | ==Page 869== |
Revision as of 13:54, 22 January 2007
- Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.
Contents
- 1 Page XX
- 2 Page 864
- 3 Page 865
- 4 Page 866
- 5 Page 867
- 6 Page 868
- 7 Page 869
- 8 Page 870
- 9 Page 870
- 10 Page 871
- 11 Page 872
- 12 Page 873
- 13 Page 874
- 14 Page 875
- 15 Page 876
- 16 Page 877
- 17 Page 878
- 18 Page 879
- 19 Page 880
- 20 Page 881
- 21 Page 882
- 22 Page 883
- 23 Page 884
- 24 Page 885
- 25 Page 886
- 26 Page 887
- 27 Page 888
- 28 Page 889
- 29 Page 890
- 30 Page 891
- 31 Annotation Index
Page XX
Sample entry
Please format like this.
Page 864
Page 865
cicerone
Guide.
Inglesi
Italian: Englishmen.
Page 866
Jenny Invert
???
Inanimate Bird Association
Concerned with clay pigeons, i.e., trapshooting.
Oca ti jebem
Macedonian: I fuck your father.
Giles Piprake
Is he aping Chico Marx?
Page 867
remember not to wear yellow
???
valletto
Italian: valet, attendant.
Facciam' il porco
???
Il mio ragazzo è molto geloso
Italian: My little guy is very jealous.
Qualsiasi, Ciprianino
Italian: Whatever, little Cyprian.
Bugatti
Carlo Bugatti (1856-1940), world-famous furniture designer from Milan.
Page 868
corno
The "horned" cap worn by Doges of Venice.
lo stato
???
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Page 870
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Page 874
Page 875
Page 876
Page 877
Page 878
Page 879
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Page 881
Page 882
Quickly now ....
The conception described here is technically immaculate: Reef fulfills the role of the Father, Yashmeen that of Mary, and Cyprian that of the Holy Ghost.
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Page 888
[T]he dream came and found him...
Reef's contribution to the hallucination/dream motif previously referenced in the Traverse sections of the novel. The color yellow seems to be significant here and elsewhere, especially coded to Webb Traverse. [More forthcoming]
In the dream they were no longer in the ghostly canyons of the McElmo but in the city, not Venice but noplace American either, with an umappable operational endlessless (sic) to its streets, the same ancient, disquieting pictures engraved on its walls as back in the McElmo, spelling out a story whose pitiless truth couldn't be admitted officially by the authorities here because of the danger to the public sanity.... It was darker out here than he had any idea of. In the distance Reef caught sight of a procession of miners in their long rubber coats, only one of them, about halfway along, with the candle stub in his hat lit. Like postulants in habits, they proceeded single file down a narrow street like a humid drift lit back or front by a yellow lamp. As Reef came closer he saw the bearer of the light was Webb.
Understanding that this was Webb's attempt to pass on another message, like up the séance in the Alps, Reef saw just for one lucid instant that this was the precise intelligence he needed to get him back to where he had wandered off the trail, so long ago. And then he was awake and trying to remember why it was important.
"Small victories," Webb greeted him. "Just to come away with one or two. To praise and to honor the small victories where and however they happen."
"Hasn't been too many of htem lately, Pa," Reef tried to say.
"Not talking about yours, you numbskull."
remy 13:15, 28 December 2006 (PST)
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Annotation Index
Part One: The Light Over the Ranges |
|
---|---|
Part Two: Iceland Spar |
119-148, 149-170, 171-198, 199-218, 219-242, 243-272, 273-295, 296-317, 318-335, 336-357, 358-373, 374-396, 397-428 |
Part Three: Bilocations |
429-459, 460-488, 489-524, 525-556, 557-587, 588-614, 615-643, 644-677, 678-694 |
Part Four: Against the Day |
695-723, 724-747, 748-767, 768-791, 792-820, 821-848, 849-863, 864-891, 892-918, 919-945, 946-975, 976-999, 1000-1017, 1018-1039, 1040-1062 |
Part Five: Rue du Départ |