Difference between revisions of "ATD 644-677"

(Page 652)
(Page 666)
Line 65: Line 65:
 
==Page 666==
 
==Page 666==
 
'''Reader, she bit him.'''<br>
 
'''Reader, she bit him.'''<br>
Reef has failed, both literally and figuratively, to screw the pooch.  
+
Reef has failed, both literally and figuratively, to screw the pooch. (and, of course, a parody of the opening sentence of the final chapter of "Jane Eyre")
  
 
==Page 667==
 
==Page 667==

Revision as of 14:58, 9 January 2007

Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.


Page XX

Sample entry
Please format like this.

Page 644

Page 645

Page 646

Page 647

For really it was the sidekick who presented the problem. Restless type. Fair hair, hat back on his head so the big brim sort of haloed his face, shiny eyes and low-set, pointed ears like an elf's...

Who is this? Some sort of strange tommyknocker, mine-sprite, or brownie? Or an oblique reference to a named character whose identity I can't discern? remy 10:52, 28 December 2006 (PST)

Page 648

Page 649

Rosie's Cantina
As found in Marty Robbins's 1959 hit song "El Paso" (a song frequently covered by the Grateful Dead). When the exiled narrator attempts to return to the cantina, he sees to his right "five mounted cowboys/Off to my left ride a dozen or more."

Page 650

Page 651

Page 652

Karawankenbahn . . . Tauern . . . Wochein
A series of tunnels constructed as part of a huge Austrian public works project in the first years of the 20th century. They are named for ranges of mountains and hills they pass through. The objective was to develop rail transport to the port of Trieste. It's possible the Wochein tunnel is now in Italy under another name.

Page 653

Page 654

Page 655

[S]ometimes a Tatzelwurm is only a Tatzelwurm.
Echoing the comment attributed to Freud, the cigar-loving alienist who would have been on the faculty of the University of Vienna at this time.

Page 656

favogn
Also known as a föhn, a dry wind blowing up the lee side of the Alps.

Page 657

Page 658

Page 659

Page 660

Page 661

Page 662

Page 663

Page 664

Page 665

Page 666

Reader, she bit him.
Reef has failed, both literally and figuratively, to screw the pooch. (and, of course, a parody of the opening sentence of the final chapter of "Jane Eyre")

Page 667

avantyuristka
Unfortunate placement of the hyphen makes it look as if it's avant- something, but it's a single Russian word, авантюристка, meaning "adventuress."

Page 668

Page 669

Page 670

Page 671

Page 672

Page 673

Page 674

Page 675

As light began to steep in...

Like on page 566, this dream-passage seems to contain a top-down examination of Kit's progress; of his motives and awareness of complicity in the Traverse vengeance-quest against the Vibes. Similar to Kit's earlier dream(s?), it's a thematic reduction and feels like a significant 'clue':

As light began to steep in around the edges of the window blinds, Kit fell asleep again and dreamed of a bullet en route to the heart of an enemy, traveling for many years and many miles, hitting something now and then and ricocheting off at a different angle but continuing its journey as if conscious of where it must go, and he understood that this zigzagging around through four-dimensional space-time might be expressed as a vector in five dimensions. Whatever the number of n dimensions it inhabited, an observer would need one extra, n + 1, to see it and connect the end points to make a single result.

In addition to the broad narrative summary, there appears to be a metatextual implication here. Regarding the reader in Pynchon's overall 'Against The Day' scheme: the novel n must be observed from an n +1 perspective (that is: dimensionally distinct) to connect end-points and weave a single result, to engage and correlate strands and twines into a coherent narrative whole. Without an overarching consciousness there's apparent anarchy: with said consciousness there's meaning and vector.

remy 10:52, 28 December 2006 (PST)

Page 676

Page 677

Annotation Index

Part One:
The Light Over the Ranges

1-25, 26-56, 57-80, 81-96, 97-118

Part Two:
Iceland Spar

119-148, 149-170, 171-198, 199-218, 219-242, 243-272, 273-295, 296-317, 318-335, 336-357, 358-373, 374-396, 397-428

Part Three:
Bilocations

429-459, 460-488, 489-524, 525-556, 557-587, 588-614, 615-643, 644-677, 678-694

Part Four:
Against the Day

695-723, 724-747, 748-767, 768-791, 792-820, 821-848, 849-863, 864-891, 892-918, 919-945, 946-975, 976-999, 1000-1017, 1018-1039, 1040-1062

Part Five:
Rue du Départ

1063-1085

Personal tools